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Lightology Australia

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Aaron Thomas
Creative Director
A woman stands in profile, silhouetted against an overwhelming galaxy of electric blue and cyan light. She holds a Samsung Galaxy smartphone raised above the railing in front of her, capturing the installation on her device — her screen glowing with the same brilliant light that surrounds her entirely.
Lightology powered the technology behind Samsung's Chorus of Light for Vivid Sydney Scott Belzner - Lightology

opening hours

Studio & Enquiries:
Monday – Friday: 9:00am – 6:00pm

Production & On-Site:
Available 7 days — show schedules observed.

For urgent production enquiries outside business hours, contact us directly at info@lightology.net.au or call 1300 954 207.

French DJ Folamour performs a live DJ set behind the decks at a packed indoor venue. He wears a bucket hat and black outfit, smiling and gesturing toward the crowd with tattooed arms. A dense, euphoric audience fills the foreground with hands raised. Overhead, sweeping wide-beam cyan and white wash lights fan dramatically across the upper frame through atmospheric haze, creating bold diagonal light shafts above the crowd. A row of front-wash fixtures lines the stage edge. Production design and lighting by Lightology Australia.

French DJ and producer Folamour. Production design by Lightology Australia. Scott Belzner - Lightology

A large-scale architectural light structure spans the width of the frame, built from thousands of individually controlled LED pixel nodes arranged in dramatic starburst and radial patterns across multiple tall vertical panels. The colour palette shifts from vivid electric blue and cyan across the outer panels to deep magenta and pink at the centre, creating a bold, high-contrast gradient across the full installation. The text "Galaxy AI is here" glows in white on the right panel. Samsung and Galaxy AI branding lines the crowd barrier in the foreground. Sydney's illuminated CBD skyline and construction cranes rise against the black night sky behind the structure. Production technology by Lightology Australia, in collaboration with Amplify and Samsung Australia.

16 languages. One installation. Sydney lit up for Samsung × Vivid 2024. Scot Belzner

South Korean vocalist Park Hyo Shin performs live at his A+E Album Launch. Shot in tight profile, he stands centre-stage with one arm raised high above his head and a microphone held to his lips mid-lyric, wearing a full gold sequin outfit that catches and scatters the stage light across its surface. He wears a black cap with embroidered lettering. The background is flooded with deep, dramatic soft-edged beams of lavender and cool white light emanating from upstage, creating strong vertical columns of light that frame and isolate his silhouette against the dark stage. The lighting gives the image a cinematic, high-fashion quality. GrandMA3 operation by Abigail Taylor, Lightology Australia.

Park Hyo Shin A+E Album Launch Scott Belzner

Three theatrical performers captured mid-finale on stage in an explosion of elaborate costuming and pure joy. Centre frame, a female performer in a heavily jewelled crimson and black harlequin-patterned corset throws her head back laughing, wearing an ornate rhinestone-encrusted miniature top hat adorned with sweeping magenta feathers and curved horns. To her right, a second female performer beams broadly in a structured teal and black geometric costume with layered ruffled panels and a jewelled powder-blue top hat. To the left, a male performer in monochrome black-and-white striped attire and a matching striped tall hat leans into the group mid-song. All three are pressed together in a moment of shared elation, arms wide and faces fully alive. The background is dark and warm, drawing all attention to the richly saturated costumes and expressions. A theatrical lighting design by Lightology Australia frames the performers in warm-toned stage light, sculpting each costume with depth and dimension against the dark stage.

Where circus meets theatre — Zirque LALA hits its final note. Scott Belzner - Lightology

World-renowned Spanish aerial duo Desko Amat and Nini Storm perform a breathtaking aerial silk act during Zirque LALA. Shot from below against a near-black stage, one performer grips the hanging silk fabric from above while the other extends their body horizontally outward in a dramatic suspended pose, legs split wide and body arched — supported entirely by the strength and grip of their partner above. Both figures are rendered largely in silhouette, their muscular forms sculpted by a single tight overhead spotlight that cuts through heavy atmospheric haze, creating soft, diffused beams of cool white and steel-blue light that radiate outward from behind them. The dark, moody theatrical lighting design isolates the duo in space, amplifying the physical tension, height, and raw athleticism of the act. Bokeh light sources glow faintly in the lower background. Theatrical lighting design by Lightology Australia.

Strength, trust and gravity defied — Desko Amat & Nini Storm, Zirque LALA. Scott Belzner

A wide cinematic night-time TVC production still featuring the Hyundai IONIQ 5 electric vehicle parked on a dark harbour-side concrete surface with the full Sydney CBD skyline glowing at dusk behind it. The car is shot in a cool steel-blue finish with its headlights on, NSW number plate reading "ION·IQ5". Stretching horizontally behind and around the vehicle is an elaborate custom light painting installation — hundreds of individually pixel-controlled magenta and hot-pink LED panels arranged in dynamic grid and wave patterns that sweep across the entire mid-ground, wrapping the car in vivid colour and creating a bold, designed landscape of light between the vehicle and the skyline. The Sydney Tower, Harbour Bridge approach structure, and illuminated city towers are clearly visible against the deep purple-blue twilight sky. The light painting technique was executed by Lightology Australia in collaboration with Eat the Elephant and Scoundrel Films, purpose-built and captured in-camera for the Hyundai IONIQ Range TVC.

Sydney never looked like this — Hyundai IONIQ 5 TVC, light painted by Lightology. Scott Belzner - Lightology

This page is managed by Lightology Australia.

We acknowledge that we live and work on Aboriginal land and recognise the strength, resilience and capacity of First Nations Australians. We also acknowledge all of the traditional owners of the land in NSW, and pay respect to First Nations Elders, past and present.

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